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August 26, 2009

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The comments seem to be talking all around the question but not addressing the heart of the entreprenurial debate. The issue should be: How to get state capital around the financial logjam and into the hands of the entrepreneur.

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piercing of swords from all angles, and blood, and flesh, all in live
time. For example, I know the methods for making somebody look like
they've been cut, but how do you do this in one scene without a cut
right after a sword slash?

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The last thing one discovers in composing a work is what to put first. Do you agree?

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